¥¢¥á¥ê¥«¡¦¥·¥«¥´¤òµòÅÀ¤Ë¥Õ¥ê¡¼¥é¥ó¥¹¤Î¥¥å¥ì¡¼¥¿¡¼¡¢Èãɾ²È¤È¤·¤Æ³èÆ°¤¹¤ë¥µ¥ê¡¼¡¦¥ª¡¼¥¯¥ì¥¢¤Ë¤è¤ë¥«¥é¡¼¼Ì¿¿ÏÀ¡£¡Øthe new color photography¡Ù¡¢¡Ønew color/new work¡Ù¤Ë³¤Âè»°ºîÌܤȤʤë¤Î¤¬Ëܽñ¡£Á°ºî¤ÈƱÍͤË18¿Í¤Î¼Ì¿¿²È¤ÎºîÉʤò¾Ò²ð¤·¡¢Èà½÷¤Ï¿·¤·¤¤¥«¥é¡¼¼Ì¿¿¤Î·Á¼°¤ÈÆâÍƤˤĤ¤¤Æ±Ô¤¤´Ñ»¡¤òÄ󶡤¹¤ë¡£¹½À®¡¢¥Õ¥ì¡¼¥ß¥ó¥°¡¢¸÷¡¢¿§¤ËÃíÌܤ·¡¢¤³¤ì¤é¤ÎÈþŪÍ×ÁǤ¬ÈéÆù¤äÛ£Ë椵¡¢½ËÊ¡¤äÍîÃÀ¤Î¥¤¥á¡¼¥¸¤ò¤É¤Î¤è¤¦¤Ëºî¤ê½Ð¤¹¤«¤òÌÀ¤é¤«¤Ë¤¹¤ë¡£
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Larry Babis
Jim Dow
William Eggleston
Mitch Epstein
David T. Hanson
John Harding
Len Jenshel
Nancy Lloyd
Kenneth McGowan
Roger Mertin
Joel Meyerowitz
Richard Misrach
Joanne Mulberg
Stephen Scheer
Stephen Shore
Joel Sternfeld
Jack D. Teemer, Jr.
Daniel S. Williams
Sally Eauclaire is a freelance curator and critic based in Chicago. This is her third book on color photography, following "The New Color Photography" and "New Color/New Work." As with her previous books, Auclair presents the work of 18 photographers and offers sharp observations on the form and content of new color photography. Focusing on composition, framing, light, and color, she reveals how these aesthetic elements create images of irony, ambiguity, celebration, and dejection.
ÊÔ½¸¡§Alison Mitchell
¥Ç¥¶¥¤¥Ê¡¼¡§Howard Morris
½ÐÈÇ¼Ò publisher¡§Abbeville Press
´©¹Ôǯ year¡§1987 First edition
¥Ú¡¼¥¸¿ô pages¡§247
¥µ¥¤¥º size¡§H235¡ßW261mm
¥Õ¥©¡¼¥Þ¥Ã¥È format¡§¥Ï¡¼¥É¥«¥Ð¡¼/hardcover
¸À¸ì language¡§±Ñʸ/English
ÉÕ°ÉÊ attachment¡§¥«¥Ð¡¼/dust jacket
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