À¸À®AI¤ËÂФ¹¤ëÀ¤³¦Åª¤Ê´Ø¿´¤ÏÆü¡¹¹â¤Þ¤Ã¤Æ¤ª¤ê¡¢¿ê¤¨¤ëµ¤ÇۤϤʤ¤¡£Å¯³Ø¼Ô¥ô¥£¥ì¥à¡¦¥Õ¥ë¥Ã¥µ¡¼(Vilem Flusser 1920-1991)¤Ï¡¢¼Ò²ñ¤Î¹½Â¤¤¬¤³¤ì¤«¤éǾ¤Î¹½Â¤¤Ë»÷¤Æ¤¯¤ë¤À¤í¤¦¤ÈÁ°À¤µª¤Ëͽ¸«¤·¤¿¤¬¡¢À¤³¦¤¬¡Ö¥Ý¥¹¥È¼Ì¿¿¡×¤Î»þÂå¤ò·Þ¤¨¤Æ¤¤¤ë¤³¤Î»þÅÀ¤Ç¤Ï¡¢¤Þ¤Àµ¿Ì䤬»Ä¤Ã¤Æ¤¤¤ë¡£¥Õ¥ë¥Ã¥µ¡¼¤Î»ëÅÀ¤ò¼Ú¤ê¤ë¤È¤¹¤ë¤Ê¤é¤Ð¡¢²æ¡¹¤ÏAI¤Ë¤è¤Ã¤Æ¿Í´Ö¤¬¿¿¤ËÁϤ¤Ç¤¤ëÃʳ¬¤Ë¤Ï¤Þ¤ÀÅþ㤷¤Æ¤ª¤é¤º¡¢¤à¤·¤í¸¶»ÏŪ¤ÊAI¤Ë»ÙÇÛ¤µ¤ì¤Æ¤ª¤ê¡¢AI¤òÀµ¤·¤¯Íý²ò¤Ç¤¤Æ¤¤¤Ê¤¤¡£º£¹æ¤Ç¤Ï¤µ¤Þ¤¶¤Þ¤Ê¥¢¡¼¥Æ¥£¥¹¥È¤Ø¤Î¥¤¥ó¥¿¥Ó¥å¡¼¤È¡¢Èà¤é¤Î¼ÂÁ©¤ò¾Ò²ð¤¹¤ë¡£¥È¥ì¥Ð¡¼¡¦¥Ñ¥°¥ì¥ó(Trevor Paglen)¤Ï¡¢¼«¸Ê¹½ÃÛ¤µ¤ì¤¿¥Ç¡¼¥¿¥·¥¹¥Æ¥à¤òÄ̤¸¤Æµ¡³£¤¬¡Ö¸«¤ë¡×¥×¥í¥»¥¹¤ò˵¼õ¤·¡¢»ë³Ð¥Æ¥¯¥Î¥í¥¸¡¼¤ÎÀ¯¼£À¤È AI¥¢¥ë¥´¥ê¥º¥à¤Ë´Ø¤¹¤ëǧÃÎŪ¥Ö¥é¥¤¥ó¥ÉÎΰ衢¤µ¤é¤Ë¤Ï²æ¡¹¤ÎÆü¾ïÀ¸³è¤ÎÉԲĻëÀ¤ò¸¡¾Ú¤¹¤ë¡£¥Î¥é¡¦¥¢¥ë¡¦¥Ð¥É¥ê(Nora Al-Badri)¤Ï¡¢¥Ö¥é¥Ã¥¯¥Ü¥Ã¥¯¥¹¥ª¥Ú¥ì¡¼¥·¥ç¥ó¤Èµ¡³£³Ø½¬¤ÎÀ¼Á¤ËÃíÌܤ·¤Æ¤¤¤ë¡£¤½¤Î¤Û¤«¤Ë¤Ï±Ç²è´ÆÆĥҥȡ¦¥·¥å¥¿¥¤¥¨¥ë(Hito Steyerl)¡¢¥¢¥ó¡¦¥¸¥å¥ó(Ahn Jun)¡¢¥¢¥ó¥Ê¡¦¥ê¥É¥é¡¼(Anna Ridler)¡¢»°ÊÝë²í»Ë¡¢¥æ¥¯¡¦¥Û¥¤(Hui Yuk)¤é¤¬»ïÌ̤òÆø¤ï¤»¤Æ¤¤¤ë¡£
Global interest in generative AI is increasing day by day and shows no signs of slowing down. Philosopher Villem Flusser (1920-1991) predicted in the last century that the structure of society would come to resemble the structure of the brain, but at this point in time, as the world enters the ``post-photography'' era. , there are still questions. From Flusser's point of view, we have not yet reached the stage where humans can truly create with AI; rather, we are being dominated by primitive AI and are unable to properly understand AI. This issue features interviews with various artists and introduces their practices. Trevor Paglen intercepts the process of machine "seeing" through self-constructed data systems, and explores the politics of visual technology and the areas of cognitive blindness regarding his AI algorithms, as well as the invisibility of our everyday lives. Verify gender. Nora Al-Badri focuses on the nature of black box operations and machine learning. Others making headlines include film director Hito Steyerl, Ahn Jun, Anna Ridler, Masashi Mihotani, and Hui Yuk.
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