¥¯¥é¥ó¥¯¡¢¥Ô¥¯¥Á¥ã¡¼¥Ç¥£¥¹¥¯¡¢¤Î¤¾¤·ê¡¢¥ì¥ó¥º¡¢¥Õ¥£¥ë¥à¡¢Åŵå¤Þ¤Ç¡£¡£¡£¥¤¥á¡¼¥¸¤Ï¡¢¼ê¤äÂΡ¢ÌÖËì¤ä°Õ¼±¤Ê¤É¡¢ÍÍ¡¹¤Êʪ¼Á¤¢¤ë¤¤¤Ï´ï´±¤òÄ̤·¤Æ¸½¤ì¤ë¡£¼Ì¿¿¤ä±Ç²è¤¬ÉáµÚ¤¹¤ë°ÊÁ°¤Î17 À¤µª°Ê¹ß¡¢»ë³Ð¥Ç¥Ð¥¤¥¹¤Ï¤¹¤Ç¤Ëµ»½Ñ¤ä»ëÄ°³Ðʸ²½¤òÁȤ߹ç¤ï¤»¤¿¿·¤·¤¤ÃγÐÂ賤ä´î¤Ó¤òÄ󶡤¹¤ë¼çƳ¸¢¤ò°®¤Ã¤Æ¤¤¤¿¡£ÂæÏÑȯ¤Î¼Ì¿¿»¨»ï¡ØVOICES OF PHOTOGRAPHY »£±ÆÇ·æá¡Ù¤ÎÂè34¹æ¤Ç¤Ï¡¢¸÷³Ø´á¶ñ¤ä»ë³ÐÁõÃÖ (¥½¡¼¥Þ¥È¥í¡¼¥×¡¢¥¾¥¨¥È¥í¡¼¥×¡¢¥Õ¥§¥Ê¥¥¹¥Æ¥È¥¹¥³¡¼¥×¡¢¥×¥é¥¥·¥Î¥¹¥³¡¼¥×¡¢¥ß¥å¡¼¥È¥¹¥³¡¼¥×)¤Î¾Ò²ð¤«¤é»Ï¤Þ¤ë¡£¤½¤Î¤Û¤«¹ñΩÂæÆî·Ý½ÑÂç³Ø¤Ç¶µÊܤò¿¶¤ë¤¦¡¢ÎÓ¹ªË§(Lin Chiao-Fang)¤Ï¡¢¥¢¥Ë¥á¡¼¥·¥ç¥ó¤Ë¸«¤é¤ì¤ë¥Õ¥ì¡¼¥à´Ö¤ÎϢ³Ū¤ÊÆ°¤¤Îºø³Ð¤Ë¤è¤Ã¤Æ±Æ¶Á¤ò¼õ¤±¤ëÃγФξõÂÖ¤òʬÀÏ¡¢¤Þ¤¿Å⹨Êö(Tang Hong-Feng)¤Ï¡¢À¶Ä«Ëö´ü¤ËÀ¾ÍΤ«¤éÍ¢Æþ¤µ¤ì¤¿¡Ö¥Ñ¥Î¥é¥Þ¡×¤¬Ãæ¹ñ¤Î»ë³Ðʸ²½¤Î¶áÂå²½¤È»×¹Í¤Î·¼ÌؤˤɤΤ褦¤ÊÀøºßŪ¤Ê±Æ¶Á¤òÍ¿¤¨¤¿¤«¤òÌÀ¤é¤«¤Ë¤·¤Æ¤¤¤ë¡£ÆüËܤ«¤é¤Ï¿·³À̴ǵ¤¬¡¢1930ǯÂå¤ËÆüËܤÇÀ¸¤Þ¤ì¤¿¡Ö»æ¼Çµï¡×¤ò¹Í»¡¡¢¤µ¤é¤ËµþÅԤΤª¤â¤Á¤ã±Ç²è¥ß¥å¡¼¥¸¥¢¥à´ÛĹ¡¢ÂÀÅÄÊÆͺ»á¤Ë¥¤¥ó¥¿¥Ó¥å¡¼¤ò¹Ô¤¤¡¢Èþ½Ñ´ÛÀßΩ¤Î·Ð¸³¤äµ®½Å¤Ê¥³¥ì¥¯¥·¥ç¥ó¤Ë¤Ä¤¤¤Æ¸ì¤Ã¤Æ¤¤¤ë¡£
Cranks, picture discs, peepholes, lenses, film, even light bulbs. . . Images appear through various substances or organs, such as hands, bodies, retinas, and consciousness. Since the 17th century, before the spread of photography and cinema, visual devices have already taken the lead in providing new perceptual experiences and pleasures that combine technology and audiovisual culture. The 34th issue of VOICES OF PHOTOGRAPHY, a photo magazine from Taiwan, begins with an introduction to optical toys and visual devices (thaumatrope, zoetrope, phenakistetoscope, praxinoscope, mutescope). Lin Chiao-Fang, who teaches at the National Tainan University of the Arts, analyzes the state of perception affected by the illusion of continuous motion between frames in animation. Tang Hong-Feng reveals what potential impact "panoramas" imported from the West in the late Qing dynasty had on the modernization of Chinese visual culture and the enlightenment of thought. From Japan, Yumeno Arakaki examines the picture-story show that was born in Japan in the 1930s, and interviews Yoneo Ota, director of the Toy and Film Museum in Kyoto, talking about his experiences in establishing the museum and his valuable collection.
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´©¹Ôǯ year¡§2023
¥Ú¡¼¥¸¿ô pages¡§111
¥µ¥¤¥º size¡§H255¡ßW190mm
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