1995ǯ9·î2Æü¤«¤é10·î1Æü¤Î¤ª¤è¤½°ì¥ö·î¤ò¤«¤±¤Æ¡¢Åìµþ¤ÎÀÄ»³¼þÊÕ¤ò²ñ¾ì¤Ë¤·¤Æ³«ºÅ¤µ¤ì¤¿Å¸Í÷²ñ¡Ö¿å¤ÎÇÈÌæ¡×¤ÎŸÍ÷²ñ¥«¥¿¥í¥°¡£¤³¤ÎŸ¼¨¤Ï¤¿¤¯¤µ¤ó¤Î¿Í¤ò´¬¤¹þ¤ß¡¢·àÃæ·à¤Î¤è¤¦¤ËÂ礤ÊÇÈÌæ¤ÎÆâÉô¤Ë¾®¤µ¤Ê¿¿ô¤ÎÇÈÌæ¤ò¼è¤ê¹þ¤ß¡¢Á´ÂΤΥ¨¥Í¥ë¥®¡¼¤òÁý¤·¤Æ¤¤¤¯¤³¤È¤òÌÜŪ¤Ë¥ï¥¿¥ê¥¦¥àÈþ½Ñ´Û¤È¥¥å¥ì¡¼¥¿¡¼¡¢¥ä¥ó¡¦¥Õ¡¼¥È(Jan Hoet 1936-2014)¤Ë¤è¤Ã¤Æ¥³¥ó¥»¥×¥È¤¬¸Ç¤á¤é¤ì¤¿¡£¥ä¥ó¤¬48̾¤Î¥¢¡¼¥Æ¥£¥¹¥È¤ò¿ÍÁª¤·¡¢Èà¤é¤Ï1994ǯ¤«¤é1995ǯ7·î¤Þ¤Ç¡¢¤½¤ì¤¾¤ìÆüËܤÎ8¤Ä¤ÎÃÏ°è¤ËÂںߤ·¡¢¤½¤ÎÅÚÃϤοͤ¿¤Á¤È²ñÏä·¡¢ÅÁÅý¤äÉ÷ÅÚ¡¢Îò»Ë¤Ê¤É¤½¤Î³¹¤¬»ý¤Ã¤Æ¤¤¤ëÆÃÀ¤òÁǺà¤È¤·¤ÆºîÉÊÀ©ºî¤ò¤·¤¿¡£¤½¤ì¤é¤ÎºîÉʤÏÅìµþ¤ÎÀÄ»³¼þÊդγƽê¤Ë»¶¤ê¤Ð¤á¤é¤ì¡¢°ì¥ö·î´Ö¡¢³¹¤Î°ìÉô¤ò¹½À®¤·¤¿¡£ºîÉʤ¬ÀßÃÖ¤µ¤ì¤¿¾ì½ê¤Ï»°½½¿ô¥ö½ê¤Ç¡¢Ï©¾å¡¢ÍÄÃձࡢ¸ø±à¡¢ÊèÃÏ¡¢»û¼Ò¡¢¥ª¥Õ¥£¥¹¥Ó¥ë¤Ê¤ÉÆü¾ïŪ¤Ê¾ì½ê¤ËºîÉʤ¬Â¸ºß¤¹¤ë¤³¤È¤Ç¡¢¥¢¡¼¥È¤½¤Î¤â¤Î¤È¶¦¤Ë¡¢ÅÔ»Ô¤äÀ¸³è¤Ë¤Ä¤¤¤Æ¤âºÆ¹Í¤òÂ¥¤¹»î¤ß¤È¤Ê¤Ã¤¿¡£¥Ð¥¤¥ó¥À¡¼¼°¤Î¤Ëܤ˥ޥåס¢³Æ¥¢¡¼¥Æ¥£¥¹¥È¤ÎºîÉʤȥץí¥Õ¥£¡¼¥ë¡¢ÏÀ¹Í¤Ê¤É¤¬¥Õ¥¡¥¤¥ê¥ó¥°¤µ¤ì¤Æ¤¤¤ë¡£
An exhibition catalog of the exhibition "RIPPLE ACROSS THE WATER '95" held around Aoyama in Tokyo from September 2nd to October 1st, 1995. This exhibition involves a large number of people, and the Watarium Art Museum and curator Jan Hoet (1936) aim to capture a large number of small ripples inside a large ripple like a play within a play and increase the overall energy. -2014) solidified the concept. Yang selected 48 artists, who stayed in eight regions of Japan from 1994 to July 1995, talked with local people, and the city has traditions, climate, and history. I made a work using the characteristics that I have. These works were scattered around Aoyama in Tokyo and formed a part of the city for a month. There are more than thirty places where the works are installed, and the presence of the works in everyday places such as streets, kindergartens, parks, graveyards, temples and office buildings encourages reconsideration of the city and life as well as the art itself. It was an attempt. Maps, works and profiles of each artist, articles, etc. are filed in a binder-type book.
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