Ëö°æ¾¼¤òÊÔ½¸Ä¹¤ËÁÏ´©¤µ¤ì¤¿¼Ì¿¿»¨»ï¡Ø¼Ì¿¿»þÂå¡Ù¤Î·»Äï»ï¤È¤·¤ÆÁÏ´©¤µ¤ì¤¿¡Ø¼Ì¿¿»þÂå21¡Ù¤ÎÂè»Í¹æ¡£ÊÔ½¸Ä¹¤Ï¡Ø¼Ì¿¿»þÂå¡Ù¤ËÉ÷·Ê¼Ì¿¿¤Î¥·¥ê¡¼¥º¤òÏ¢ºÜ¤·¤Æ¤¤¤¿ÉÍÅÄ˪ϯ(1941-1996)¡£Èà¤ÏÃæÊ¿ÂîÇÏ(1938-2015)¤È¤È¤â¤ËÈ¿ÂÎÀ©Åª¤ÊɾÏÀ»ï¡Ø¸½Âå¤Î´ã¡Ù¤ÎÊÔ½¸Éô°÷¤À¤Ã¤¿¡£¤½¤Î¸åÉ÷ÅÚ¼Ò¤ËÆþ¼Ò¤·¡¢¡Ø¥Ç¥¶¥¤¥óÈãɾ¡Ù¤ÎÊÔ½¸¤âôÅö¤·¤Æ¤¤¤ë¡£¡Ø¼Ì¿¿»þÂå21¡Ù¤Ç¤Ï¡¢¡Ø¼Ì¿¿»þÂå¡Ù¤ÎÃÎŪ¤Ê¡Ö¤³¤È¤Ð¡×¤ÎÉôʬ¤ò¤è¤ê¶¯²½¤·¤¿¡Ö¹âµé±ÇÁüʸ²½»ï¡×¤òɸÜÖ¤·¤Æ¤¤¤¿¡£Åö»þÏÃÂê¤ò½¸¤á¤Æ¤¤¤¿ÀõÅľ´¤äÃæÂô¿·°ì¤é¤ò¤Ï¤¸¤á¤È¤¹¤ë¥Ë¥å¡¼¡¦¥¢¥«¥Ç¥ß¥º¥à¤ÎÌÌ¡¹¤È¡Ø¼Ì¿¿»þÂå¡Ù¤Î¾ïÏ¢¼¹É®¼Ô¤ò·ë¤Ó¤Ä¤±¡Ö±ÇÁüŪ¥·¡¼¥ó¤ò¼çÂê¤Ë¤·¤Æ¡¢Ëè¹æ°ì´Ó¤·¤¿ÌµÃã¶ìÃã¤Ê»æÌ̤Ť¯¤ê¡×¤òÌܻؤ·¤¿¤¬¡¢Éô¿ô¤Ï¿¤Ó¤Ê¤«¤Ã¤¿¡£·ë¶É»Íºý´©¹Ô¤µ¤ì¤¿¤È¤³¤í¤ÇµÙ´©¤È¤Ê¤Ã¤¿¡£
"SUPER PHOTO MAGAZINE 21" was launched as a sibling magazine of the photo magazine "SUPER PHOTO MAGAZINE" which was originally published by Akira Suei. The editor-in-chief was Hachiro Hamada (1941-1996), who serialized a series of landscape photographs in "SUPER PHOTO MAGAZINE" He, along with Takuma Nakahira (1938-2015), was an editorial member of the dissident criticism magazine."Gendainome". After that, he joined Fudosha and is also in charge of editing "THE DESIGN REVIEW". In "SUPER PHOTO MAGAZINE 21", I advocated "a high-class image culture magazine" that further strengthened the intellectual "words" of "SUPER PHOTO MAGAZINE". By linking New Acadenism by Akira Asada and Shinichi Nakazawa, who had been attracting attention at the time, with the regular authors of the "SUPER PHOTO MAGAZINE", "SUPER PHOTO MAGAZINE 21" was consistently messed up with the visual scene. The magazines tried to make it, but the number of copies did not grow. After all, it was suspended when four books were published.
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