VIVO¤Î²ò»¶¸å¡¢¥è¡¼¥í¥Ã¥Ñ¤ä¥¢¥á¥ê¥«¤Ê¤É³¤³°¤ò»Ö¸þ¤·¤¿ÆàÎɸ¶°ì¹â(1931-2020)¡£Ëܽñ¤Ï1962ǯ¤«¤é3ǯ¤Û¤ÉÂںߤ·¤¿¥è¡¼¥í¥Ã¥Ñ¤ÎÃæ¤Ç¡¢¼Ì¿¿²È¼«¿È¤¬Ì¥Î»¤µ¤ì¤¿¤È½Ò¤Ù¤ë¥¹¥Ú¥¤¥ó»þÂå¤Î¼Ì¿¿¤Ç¹½À®¤µ¤ì¤Æ¤¤¤ë¡£Æ®µí»Î¡¢¥µ¥ó¡¦¥Õ¥§¥ë¥ß¥óº×¤Ê¤É¡¢¼Â¤Ë¥¹¥Ú¥¤¥ó¤é¤·¤¤¥Æ¡¼¥Þ¤ò¼Ì¿¿¤È¤·¤ÆÀÚ¤ê¼è¤Ã¤Æ¤¤¤ë¡£¹½¿Þ¤ÎÈþ¤·¤µ¡¢¥â¥Î¥¯¥í¡¼¥à¤Î¤¶¤é¤Ä¤¤¤¿Î³»Ò¡¢ÆàÎɸ¶¤Îµ»½ÑÎϤι⤵¤¬¸«¤Æ¤È¤ì¤ë¡£É½»æ¤Î¥¤¥é¥¹¥È¥ì¡¼¥·¥ç¥ó¡¢ÀÞ¤ê¹þ¤ß¥Ú¡¼¥¸¤Î¿ÍÑ¡¢Á¯¤ä¤«¤Ê¿§»æ¤ò»ÈÍѤ¹¤ë¤Ê¤É¾¡°æ»°Íº¤Î¤Ëܤ⤦¤Þ¤¯¤³¤ÎËܤÎÊ·°Ïµ¤¤ËĴϤ·¤Æ¤¤¤ë¡£
After the dissolution of VIVO, Ikko Narahara (1931-2020) aimed at overseas such as Europe and the United States. This book is composed of photographs from the Spanish era, which the photographer himself said was fascinated in Europe, where he stayed for about three years from 1962. The photographs are taken from Spanish themes such as the bullfighter and the Festival of San Fermin. You can see the beauty of the composition, the grainy monochrome particles, and the high level of technical capabilities of Narahara. Mitsuo Katsui's design, such as the illustration on the cover, the heavy use of fold-out pages, and the use of brightly colored paper, harmonizes well with the atmosphere of this book.
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