¤â¤Ï¤ä¸½Âå¼Ì¿¿¤Î¸Åŵ¤È¤â¸À¤¨¤ë¿ÜÅÄ°ìÀ¯(1940-2019)¤ÎÂåɽŪºîÉʽ¸¡ØÉ÷»Ñ²ÖÅÁ¡Ù¤ä¡Ø¤ï¤¬Åìµþ100¡Ù¤ÈÈæ¤Ù¤ë¤È¤¤¤µ¤µ¤«°Û¿§¤È¤â¸À¤¨¤ë¼Ì¿¿½¸¡£¥´¥à(Rubber)À½ÉʤËÂФ¹¤ë¥â¥Î¤Ø¤Î²á¾ê¤Ê¶½Ì£¡¢¼Á´¶¤ÎÌ¥ÎϤò¡¢»ë³Ð¤Ë¤è¤ë²÷³Ú¤Ë¾º²Ú¤µ¤»¤ë¤¿¤á¤Ë¡¢¥â¥Ç¥ë¤Ë¥é¥Ð¡¼¥¹¡¼¥Ä¤ä¥é¥Ð¡¼¥Þ¥¹¥¯¤òÃ夻¤Æ¡¢¤¹¤Ù¤Æ¤ò¥Ý¥é¥í¥¤¥É¥«¥á¥é¤Ç»£±Æ¤·¤Æ¤¤¤ë¡£¥é¥Ð¡¼¤«¤éÈ¿¼Í¤¹¤ë¸÷¡¢½À¤é¤«¤¤¾È¤ê¤È¶ÊÀþ¤ÎÈþ¤·¤µ¤Ê¤ÉÈà¤ÎÊত¬É½¸½¤µ¤ì¤Æ¤¤¤ë¤Î¤«¤â¡£¤Á¤Ê¤ß¤ËÈ༫¿È¤Ï¥é¥Ð¥ê¥¹¥È¤Ç¤Ï¤Ê¤¤¤³¤È¤ò¹ðÇò¤·¤Æ¤¤¤ë¡£¡£¥µ¥¤¥ó¤¢¤ê¡£
This is a photo collection that can be said to be somewhat unique compared to Issei Suda's (1940-2019) representative collections of works, ``Fushikaden'' and ``My Tokyo 100,'' which are now classics of modern photography. In order to sublimate the excessive interest in rubber products and the charm of their texture into visual pleasure, the models are dressed in rubber suits and rubber masks, and everything is photographed with a Polaroid camera. Perhaps his love of the light reflected from the rubber, the soft shine and the beauty of the curves is expressed. By the way, he confesses that he is not a Rubberist himself. . Signed.
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